By Chris McGovern courtesy of The Glass
Having been both a fan of compositional music and a longtime member of the Twitter and online community in general, I came to know a gentleman by the name of Thomas Deneuville. He goes by the name “tonalfreak” on Twitter, possibly to inform us of the fact that he is a strong practitioner of keeping the melodic element in the world of contemporary music, and this he does very well. Having been invited to come see one of his premieres in NY (This one being of his cantata titled Waiting For Thoreau, programmed in a recital along with some of his other works), I was very humbled to see a quite laid-back presentation of compositions arranged for both classical instruments and those that are more typical of rock like electric guitar and a drum kit. At the end of his Summer Miniatures suite he even has a transcription of Radiohead’s “Paranoid Android”.
CM: Thomas, you taught yourself guitar as a rock musician, and you went from that to studying classical violin a few years later. Was that an easy transition?
TD: It was actually a relief. I remember struggling with theory for a couple of years on my own while I was teaching myself guitar. Going to a music school brought me to another level. I immediately fell in love with solfege and literally ate the violin methods that were put in front of me, tackling second and third positions after a year. On the other hand it was also my first contact with the French music education system that still owed a lot (in spirit) to the 19th century. The same system pushed me to leave France years later.